Edouard Vuillard's Oil Paintings
	Edouard Vuillard Museum November 11, 1868-June 21, 1940. French painter.
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Here are all the paintings of Jan Toorop 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
1710		A New Generation	1892 Museum Boymansvan Beuningen, Rotterdam
11717		Desire and Gratification(The Appeasing)	1893 2' 6'' x 2' 11 1/2''(76 x 90 cm)
53332		Desire and Satisfaction	mk229 1893 oil on canvas 1893 76x90cm
54278		Shell Gathering on the Beach	mk235 1891 Oil on canvs 61.5x66cm
53316		Soul Searching	mk229 1893 Watercolour 16.5x18cm
54277		The Dunes and the Sea at Zoutlande	mk235 1907 Oil on canvas 47.5x61.5cm
92962		The new generation	1892(1892) Medium oil on canvas Dimensions 96.5 X 110 cm (38 X 43.3 in) cjr
34007		The Three Brides	mk87 c.1892/93 Pencil,Black and coloured chald on paper 78x98cm Otterloo,Rijksmuseum Kroller Muller
40832		The Three Brides	mk156 1893 Oil on canvas 78x97.8cm
21545		The Three Brides (mk09)	c .1892/93 Pencil,black and coloured chalk on paper,78 x 98 cm Otterloo,Rijksmuseum Kroller-Muller
22315		The Young Generation (mk19)	1892 Oil on canvas.96.5 x 110 cm Museum Boymans-van Beunigen,Rotterdam
54279		Three Women with Flowers	mk235 c.1885/8 Oil on canvas 110x95cm
23154		Trio Fleuri (nn02)	1885-1886 Oil on canvas 43 5/16 x 37 3/8'' Collection Haags Gemeentemuseum,The Hague

Jan Toorop

1858-1928 Dutch Jan Toorop Gallery He moved to the Netherlands in 1872 and took a course in drawing at the Polytechnische School in Delft (1876-9). He also studied at the Rijksakademie voor Beeldende Kunsten in Amsterdam (1880-82) and at the Ecole des Arts D?coratifs in Brussels (1882-5). In Amsterdam he joined the St Lukas Society, and in Belgium he was a founder-member of Les XX in 1884. Although he had met Jozef Isra?ls in 1880 and respected the style of the Hague school, he was more attracted by what he saw in Brussels, particularly work by French artists. His portraits of 1884 are painted in an Impressionist style. With other members of Les XX he trained himself in plein-air; he learnt from James Ensor how to apply colours with a palette knife and how to use white with the same intensity as other colours. His style, however, remained austere and his scenes of workmen show a sensitive realism reminiscent of Gustave Courbet's work, for example Respect for the Dead.

All the Edouard Vuillard's Oil Paintings

Supported by oil paintings and picture frames